Abstract
For centuries, blacksmithing has occupied a special place in the culture of many peoples. Blacksmithing is not only a craft, but also a special sacred phenomenon with deep symbolic meaning. Mysterious phenomena related to blacksmithing in the traditional culture of the Kazakh people have formed sacred concepts in the minds of the people. In this regard, the article examines the ethnocultural semantics of linguistic units associated with the sacred concepts of blacksmithing in the context of historical and cultural heritage. The purpose of the work is to determine the nature of sacred concepts, the continuity of material and spiritual culture, fixed in the linguistic and cultural semantics of ethnocultural names related to blacksmithing.
01 Introduction
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