Abstract
This article examines the development of the ceramic art of the Golden Horde, analyzing its technological and artistic features. Ceramic products discovered during archaeological excavations indicate that the city of Saraishyq was a medieval center of crafts and trade. The article explores the material composition of ceramic artifacts, glazing and painting techniques, and examples of polychrome ceramics. Various processing methods and the use of pigments enhance the aesthetic value of the objects and reflect cultural interactions. The ceramic art of the Golden Horde clearly shows the influence of Chinese, Iranian, Central Asian, and European cultures. Decorative motifs include plant-based, zoomorphic, and geometric patterns, along with symbolic representations of the Garden of Eden, a characteristic motif of Islamic culture. The author highlights the artistic and historical significance of Golden Horde ceramics, emphasizing their local features in the context of broader cultural exchanges. Special attention is paid to a fragment of polychrome ceramics decorated with an image of red peonies and gold foil. This object is interpreted as an artistic symbol of the paradise garden in Islamic culture. By describing the cultural synthesis within Golden Horde ceramics, the author demonstrates their connection to various civilizations with specific examples.
01 Introduction
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